content: today’s talk is about history of an assessment method

  • “the most boring topic that anyone could possibly. conceive of”

how to perform well in assessments by knowing the history of assessments

“knowing the hidden curriculum”

hidden curriculum: implicit/underemphasised requirements of assessment types

talk abt close reading today frfr trust

Cambridge
  • Almost all teaching is 1 on 1
  • occasionally there are seminars/lectures
  • sometimes groups e.g. 2-3
  • most important assessment is the practical exam
    • all students doing english take this course
    • regarded as methological center of what they do
    • also part of the admissions process
      • interview as well
      • unseen text and ask u to comment on it

australia started close reading in 1940

by alex smth????

  • did education at cambridge
  • 2nd chair of languages
  • chief examiner for english
  • introduces assessment methods into schools
  • he is the guy that we have to blame for doing close readings
    • tytytyty u saved my lit grade

1920s

  • decade where close reading/practical criticism/unseen text as assessment becomes part of the Cambridge curriculum
    • blame i.a. richards

i.a. richards

  • Started experiments
  • gave 4 poems to students
    • no names
    • no titles
    • no publication dates
  • students did not identify them with very few exceptions
  • he encouraged the students to go and read the poems any number of times
  • had some weird instructions
    • Comment in any form that they desire
    • write down the number of times they read each of the 4 poems
    • hinted that the poems were a mixed bunch
      • some were good, some were not
  • Students wrote short commentaries and submitted them to richards
    • half were female half were male
    • side not: his lectures were very popular
  • he would give lectures not on the given poems, but on the responses of the students
  • whole aim was the identify common interpreting errors in students’ commentary
  • he was v committed and understanding of the difficulty of reading a poem
  • hardest thing of creating a poem was creating the sense of a poem????
  • richards is lecturing to WW1 veterans
    • difficult for us to apprehend how big of a difference he made to those people who were experiencing ptsd after horrors of WW1
  • richards had a vision of what poetry is and what it could do
  • how did he get such good responses from his students waw
    • his biographer, “john paul” has some suggestions
      • point number 3 in given page
    • basically he was analysing poems in a close, systematic way the most basic thing that he was getting students to do was to make out the plain sense/meaning of the poem
  • this is the main thing that they want you to do
  • move from literal to metaphorical